Although he subsequently studied composition with Milton Babbitt, he chose to apply what he learned he all-or-nothing commercial hothouse of Broadway. Like Hammerstein, he has written the occasional pop song (with Jule Styne for Tony Bennett) and dabbled in films (Stavisky, Reds, Dick Tracy), but, like Hammerstein, he has always come cede to the theatre. His initial success came as a somewhat slow down lyricist to Leonard Bernstein on West Side Story (1957) and Jule Styne on Gypsy (1959...If you want to get a full essay, command it on our website: OrderCustomPaper.com
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