Bogan is a term used in New Zealand and Australia to hurt word a sub company, one distinguished by their low socio-economic status, need of education, obnoxious loudness and crassness ( often displayed in public places), less(prenominal) than savoury personal hygiene and questionable attire, and their particular comparison toward Holdens or similar vehicles, music of the heavy metal or rock persuasion, rampant sexual activity, footb tout ensemble and other forms of sport, and alcoholic drink consumption and/or drug use.iThis report will oncuring to examine the portrayal of the bogan subgroup in the media, using third texts. These texts be; Perhaps theres a pocketable bogan in all(prenominal)oneii, a newspaper article in the Sydney sunrise bode, Trent From Punchyiii, an excerpt from an unfinished documentary, and the Last jibe To Freoiv, a film. The three texts will be hitherto referred to as Perhaps, Trent, and Freo.
Representation; A common ground.
In all three of the texts, bogans are portrayed in a similar fashion. Undesirable, and thick. In Perhaps, the common bogan is described as ?...embarrassing and un-Australian, and this instant, recognisably hyper-Australian?. In Trent from Punchy, no rendering is needed. Trent, the young man being interviewed, makes him self look uneducated, stupid and undesirable merely by talking- he epitomises the ideal of the Australian bogan with every word he says- from the battle cry of ?coppers, coppers (policemen)- punch em in the face!? to the concession he makes, telling us that his aim is, in fact, a dickhead.
Further much, there are parallels which faeces be pass forthn between the three texts, in representing the lifestyle of the bogan. In Perhaps, bogans, or the bogan subgroup which the article is about (cashed up bogans, or cubs) wipe out a particular inte rilievo in buying divers(a) materialistic things- one of which is betting cars. In Trent, Trent expresses his taste for fast cars, talking about ?the boys doing max doughies n shit[sic] in the gravel tight delayting Lincoln Station?.
Despite the previously outlined magnetic dip toward automobiles, it seems to be a characteristic of the common bogan that they are often found upon public transport. This particular stereotype whitethorn be due to the fact that a person who is not comm totally affiliated with bogan-kind is likely only to encounter them on trains, or buses. This example is make glaringly obvious by the conniption of Freo- namely; a train. This is furthered by the motive of the characters David and Lisa- who, in an tackle to ob dish the behaviour and interaction of the common bogan, deliberately set out on the journey from Midland to Fremantle- knowing that it was exceedingly likely that there would be boganic folk present on a train at midnight. This frequenting of public transport stereotype is in addition shown in Trent- it states at the beginning of the tv clip that they observed Trent at Punchbowl explicate Station in Victoria.
Representation; breakout The Mold.
In Perhaps, the bogans being written about differ in the sense that they are not economically hindered. They are cashed up bogans. Bogans with money. This seems to demolish the crux, the very core of what boganity is spawned from and depends upon. Logically, the main cause of the bogan subgroup is a omit of fiscal wealth. Bogans are looked down upon in order as they lack the vague, minuscule amount of class that is required to fit in within Australian society as an equal, not a member of the lower class. This lack of refinery stems from their lack of wealth. Without wealth, the common, or soon-to-be bogan cannot afford to live in one of the leafy-green suburbs such as Nedlands or City Beach and instead must dwell in a suburb such as Midland (which the two bogan characters, Trev and the towering Thug in Freo, ironically enough, hail from). In these areas there is less access to thoroughly public schools (which perhaps could be considered an oxymoron in itself), and the bogan family is surrounded by people in similar circumstances- a writhing locoweed of boganimous cohabitation.
Due to the previous observations made, it seems strange to suggest that a loaded person could be considered a bogan. However, because it is possible to do so, this tells us that the main classifying factor in relation to bogans, is the spot. The crass, loud, in your face attitude. An Australian can enjoy beer, footy and Holdens whilst still retaining his or her composure. It is the loss of this rather peculiar(a) composure that truly makes the bogan. This is discussed further in the article Perhaps.
In Freo there are two characters who could be considered bogan- Trev and the Tall Thug. Trev is more your stereotypical bogan, not indifferent to Trent in terms of manner. The Tall Thug, however, differs from the typical bogan image presented. He enjoys Vivaldi. He has been to Prague. He is able and enjoys ruthless psychological control over people. He doesnt fit the image of the typical gormless bogan, whereas his companion Trev fits that description perfectly.
Codes and Conventions, Constraints and audience Profiling.
The article Perhaps uses a technique to some(prenominal) draw the reader in, and set the angle of the story in an instant. This is make by the wording of the headline, being, Perhaps theres a little bogan in everyone. This both intrigues and insults the reader. It intrigues the reader, as upon reading such a title they instantly begin to wonder as to how they are in fact, a bogan. Secondly, they become somewhat insulted by the suggestion that they might in fact, be a bogan. This shows the opinion which the Sydney Morning Herald has on bogans. The Sydney Morning Herald and its viewing audience who are mostly affection to upper-class people, the bourgeois, do not like bogans, and do not enjoy being likened to bogans. Bogans are portrayed as something distasteful, something which a person would be ashamed to be called. The readers of the Sydney Morning Herald value affluence, class and composure- all things which bogans are not, or do not have. The text Perhaps further reinforces the opinion that readers of the Sydney Morning Herald already have of the bogan subgroup, helping to further extend the class divide.
In the text Trent, a similar attitude is conveyed. This is shown through the written title at the beginning of the video. The committal to writing reads This is actually a kid we found at punchbowl station. This in a flash sets the mood for the viewer. The sense of disbelief that it implies paints Trent as some smorgasbord of carnival animal to be gawked at and make fund (which of course, is the intent of the video). It sets the bogan group aside from the general population, making them a subgroup that most viewers feel they can distance themselves from by assuming a superior air. Overly-exaggerated examples of bogans like Trent make the bogan stereotype seem absurd, laughable. It seems abysmal that somebody can proclaim that ?...
girls are bitches, theyre like stitches. You pulling em out and they.....open up!? in all seriousness. Trent whitethorn be a real person, being interviewed spontaneously, but he is so far removed from normality that it is easy to classify all bogans in the selfsame(prenominal) category and differentiate oneself from them entirely. Trent may not have a specified target audience, but the video is spun so that anybody who watches it will feel as if they are above Trent. The viewers of Trent see bogans in a prejudicial light. The producers of the text is a 28 year old named Macca. A typical Aussie staminate who, like his viewers, considers himself above bogan culture. By exploiting Trent and making the video, his motive all the way came through- to make people laugh at Trent, and in the same process, elevate his social status. The makers of the film were constrained only by the guidelines of Youtube and by their lack of professional video equipment.
The Last Train To Freo is the only fictional text, and also the only text which attempts to search the man butt end the bogan. The character the Tall Thug has more to him than his jailbird past. He is cunning, callous and manipulative. He is also homosexual, which breaks away from the stereotype of bogans being homophobic. Freo explores the social issues behind the drug demoralise and bogan lifestyle adopted by many members of the working class. The producers behind the text were concerned with the social class issues in Australian, in particular Western Australian society. They wished to empathise with the lower classes, not to ridicule them. The film was constrained by a small budget, and by the fact that it was adapted from a play and thus film almost entirely in one carriage on a Perth train.
ContextAll three of the texts are entirely Australian. They use Australian slang, Australian cultural references, even real Australian settings, such as Punchbowl Train Station and the Midland to Fremantle train line. This helps to put to work a sense of reality to the texts, so Australian viewers can comprehend the texts well. A foreigner viewer may not understand some of the uniquely Australian references made in the texts- for example, the picture of Kath and Kim accompanying the article Perhaps may be seemingly irrelevant to an outsider, whereas an Australian would understand that Kath and Kim serve to represent, or rather, epitomize the cashed up bogan lifestyle.
ConclusionFrom studying the texts it can be noted that many media representations portray bogans in a wholly negative light, and serve to further ostracise and isolate them from the rest of society. It seems ironic that the only fictional text which was analyzed was the only text which attempted to break past the societal barriers, stereotypes and taboos and actually examine the character of the person behind the bogan facade. It can be gathered from this, that the majority of Australian society has a negative view of bogans.
Information for definition gleaned from Ultimate Bogan Resources. Bogan.com. 15th March, 2007
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