A Story of Tejanos and Their Music

A Story of Tejanos and Their unison\nImagine driving finished S awayh Texas. As you poke out through the small towns, countryside, the cities of capital of Texas and San Antonio and head towards the border, you are swallowed by a culture so colorful and proud. Tejano is non just now by definition Mexican American symphony, it is a experimental condition affaird to describe the people, the sustenance and the traditions. Mexicans migrated to Texas and worked hard. They struggled with discrimination, starting a forward-looking, and beingness away from their homeland. As Tejanos spark further north they not only brought their families, they brought their culture. A life story style that consisted of Mexican traditions that later sentence, began to blend with American and European customs. As these traditions began to fuse in concert we gain an interesting outcome, Tejano music. The conventional music of Mexico is Rancheras. This genre of music consists of lyrics that incl ude love, patriotism and nature. The intelligence activity Ranchera is derived from Rancho because it came from the rural countryside of Mexico. In the video Songs of a homeland they use Lydia Mendoza as an example of a general Ranchera musician. Lydia Mendoza was popular during the 1930s and was one of the first women to be recorded. She was known as the vocalizer of the poor. This traditional music was a big influence on the Mexicans that migrated to Texas. Through Rancheras, Conjunto music was born. Rancheras were passed from propagation to generation. As New Tejanos became homesick it was only expected for the songs that reminded them of their grow to follow them. As time passed and the population in Texas grew, new influences began to fill the land and clash the existing cultures. Conjunto music was created from the European soft styles and the music from northerly Mexico. The influence of instruments like the add accordion from German settlers make quite an impression on Tejano music. Accordion music is friendship ground, which was perfect because Tejano was buff based in a fan driven market. Two popular musicians were the Father of Conjunto, Narciso Martinez and master accordion player, Valerio Longoria. Promoters would take the groups to where the people were. The handle were the stage and the migrant workers the audience. euphony was not recorded really much in the 40s so it worked out well. It was very common for Tejano bands to travel throughout south Texas compete for...If you want to get a full essay, order it on our website:

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